





The first movie I watched this week was Born Into Brothels. It is a documentary film about children learning to take pictures in the brothels where they are growing up in India. When I started watching the movie I thought I would have a harder time with the film then I did. There was sadness but within this movie I was able to see the joy that the children are able to find in life. For example I was so happy for the children when they went to the seaside. You could see in their faces how being there was an experience they would never forget and it masked the sadness for a short while. I was left thinking what is it about the human spirit that wills us to keep going in the midst of misery and hardship. The photos that these children took were amazing and so real, it is hard to believe that people live this way. It was reassuring to know that the children wanted to learn and be there and create pictures of beauty in this life that they know. At the same time it was discouraging to find out that even with the chances they were given to make a better life a few of them went back to the place they wanted to get out of. I am glad that I finally got the chance to watch this film, it was worth it and I found it encouraging watching these children going through some of the same issues I do with my own work.
The Second film that I watched was Pecker. It was way different from the first film that I saw but I cannot say that I liked it better. Pecker was not what I expected at all. I know that some people found it funny and witty but maybe I still had Born into Brothels in my mind because I could not get into this movie at all. I found it odd, awkward and bizarre, I know that that is also part of the message but I really had a hard time with it. The actually photos in the movie were cool but I wish I could have just seen the photos without the movie.
The final movie that I watched was One Hour Photo. I would have to say that out of the three this one fell right in the middle in terms of me liking them. This movie was also odd but there was something about it that I could really relate to and I think it is easier than we think to fall into this photo-stalking trap. I too can get lost on facebook looking at photos of people lives. I can see where this movie can actually be really close to real life. While I could relate more to this movie than Pecker the ending didn’t really give me much closer and I really had to use my imagination to picture (no pun intended) what happened to all of the characters.
All in all I think movie week was successful and I am glad I got to watch Born into Brothels and One Hour Photo and if I had to sacrifice my time with Pecker to do so well it was worth it.
Grey Wolf, (Archibald Belaney) 1936
When I first walked into the Karsh exhibit I was struck by how dark the prints were. Because of this I was instantly drawn to the lighter prints. While I really liked a lot of the prints I decided to choose the print of Grey Owl. This shot was taken in 1936. What caught my attention right away was that even though the print is dark, Grey Owls eyes pop out. I also liked this print because it seemed to be softer than the rest of the collection.
The area around Grey Owl has some depth and detail and I think that Karsh would have probably preflashed the paper prior to exposing the negative, as there is a difference in tones between the background and Grey Owl. Karsh shot on a full frame camera and because of this his negatives were 8x10 so when he would have made his prints they would be more sharp and in focus because they would not have been as much enlarging. Karsh may have also made contact prints of his images because of the size of his negatives also contributing to the sharpness of the images. This particular print of Grey Owl is sharp and has an even contrast so I think that Karsh probably added a magenta filter and finished the print off with a soft filter to make the skin tones of Grey Owl softer. I don’t think that Karsh dodged or burnt anything on the image, as Karsh was technically precise with his lighting so I think he would have achieved the tones he wanted based on preexposure work rather than post exposure. However is saying that Karsh may have dodged the area around Grey Owl’s eyes as they do appear very easily in the dark shadow of his hat.
I really like this print of Grey Owl, I like the fact that his rough bush lifestyle was captured with a soft feel. So many pictures of Grey Owl are taken with environment as the background because he is about his work and lifestyle. What I like about this print is that this is just a close up of his face so that we can see the struggles of his life on his face. The expression on Grey Owl's face suggests that he is not happy with being posed but he also could be in deep thought about his situation in life.